ASC Members Participate in “Sight, Sound and Story: The Art of Cinematography” Event in NYC on December 6

The Manhattan Edit Workshop (MEWShop) has announced the return of “Sight, Sound and Story: The Art of Cinematography,” which will take place on December 6 at the NYIT Auditorium Theater on Broadway.

“Sight, Sound & Story: The Art of Cinematography” Event Returns to New York City - December 6th 2017

New York, NY – November 29, 2017 – Manhattan Edit Workshop (MEWShop), the east coast leader in training and certification for content creators, announces the return of Sight, Sound & Story: The Art of Cinematography, taking place December 6th at the NYIT Auditorium Theater on Broadway.

ART OF THE CUT with Michael Berenbaum

Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewivesand Sex and the City. His work also includes editing both Sex and the City movies, and other TV series including The Wire, Nurse Jackie, The Americans and Marco Polo. Art of the Cut interviewed Berenbaum before he spoke at the Manhattan Edit Workshop’s Sight, Sound and Story post-production event.

Oscar-Nominated Editor Dylan Tichenor, ACE Headlines One Day Post Production Summit

New York, New York –July 6, 2017 - On June 10, 2017, Sight, Sound and Story celebrated their fifth annual Post Production Summit at the NYIT Auditorium on Broadway.  Over 300 filmmakers, editors and post-production professionals gathered for a front row seat to a full day of panels focused on the art of post-production. This year’s panels included “Anatomy of a Scene: Deconstructing Documentary Films,” “Cinematic 360/VR Panel: 360 Degrees of Storytelling,” “TV is the New Black: Television's Cinematic Revolution” and “Inside the Cutting room with Bobbie O’Steen;” for an in-depth discussion with acclaimed film editor Dylan Tichenor, ACE.  The day-long summit was followed by a two-hour networking party sponsored by American Cinema Editors (ACE.)

Sight Sound & Story 2017: TV editing and Dylan Tichenor, ACE

This year, I was asked to live tweet from Sight Sound & Story on behalf of Blue Collar Post Collective. As part of their mission to make post events as accessible to members of our industry as possible, they often attend events like this one and provide live blogging, tweeting and recaps of the events for their members via their Facebook group. What follows are the recaps that I posted to that group after the event and massaged a bit for the sake of postPerspective.

ICA DaVinci Resolve Workshops Return to MEWShop!

Manhattan Edit Workhsop has just announced new dates for our DaVinci Resolve workshops, which will be taught by Warren Eagles, professional color grader and co-founder of the International Colorist Academy (ICA). Touted as the color grading system of choice for many of Hollywood’s blockbuster production studios, DaVinci Resolve 14 was announced at NAB this year to much excitement over its expanded set of editing features among many other upgrades.

Wes Anderson and Paul Thomas Anderson's Editor Reveals Secrets from the Cutting Room

Dylan Tichenor, Oscar-nominated editor of 'There Will Be Blood,' 'Magnolia,' 'Brokeback Mountain,' and more, breaks down clips from his movies.

During a wide-ranging discussion at Saturday's Sight, Sound & Story panel in New York, Academy Award-nominated editor Dylan Tichenor, ACE revealed to moderator Bobbie O'Steen that he first began to comprehend film editing while watching classic films like Nosferatu with his father. It was during these formative viewing experiences—including holding a piece of film from Orson Welles' The Magnificent Ambersons up to the light—that Tichenor realized movies were composed of different shots.

TV is the New Black: Top Editors on Cutting in TV's Cinematic Age

What's it like to be a television editor? Experts explain.

There has perhaps never been a better time to be an editor in Hollywood, though according to panelists who spoke on a panel at the Sight, Sound & Story event in New York, the job is different than it used to be.

ART OF THE CUT on doc editing with Maya Mumma

Maya Mumma has worked on numerous documentary projects including as an associate editor on Restrepo, and as an editor on Which Way Is the Front Line from Here?, The Life and Time of Tim Hetherington, Moms Mabley: I Got Somethin’ to Tell YouMr. Dynamite: The Rise of James Brown, A Journey of a Thousand Miles: Peacekeepers, and ESPN Film’s Oscar-winning: O.J.: Made in America. Mumma will be speaking at Manhattan Edit Workshop’s Sight, Sound and Story event June 10th at the NYIT Auditorium.

Manhattan Edit Workshop Preps Fifth Sight, Sound & Story

Away from the major tradeshow cycle, there are any number of smaller events that have grabbed themselves deserved places on the calendar and offer something a bit more niche and perhaps a bit more special too. New York's Sight, Sound & Story this weekend is one of them.

"Manhattan" Editor Susan E. Morse, ACE Joins our May 2017 Six Week Intensive Workshop

MEWShop is proud to welcome Oscar nominated editor Susan E. Morse, ACE, as our Artist in Residence for our Six Week Intensive Art of Editing Workshop that starts May 1, 2017.   To find out more information about our Six Week Intensive program or to register, please click here.

Manhattan Edit Workshop Announce Mobile Media Production Workshops

Manhattan Edit Workshop (MEWShop), the cutting-edge authorized digital training destination for post-production and content creators, has launched a new workshop series for Mobile Media production.  With the advancements of cameras on mobile devices and the massive need for media content live and recorded; the need for mobile production is now a necessity for companies and individuals. MEWShop’s new courses in Mobile Media training will prepare students for professional live streaming events or producing high-end company videos with their mobile devices.  Students who are interested in purchasing equipment for use in class can receive a 20% discount on products with MEWShop’s partnership with Padcaster.

An Interview with "E.T." editor Carol Littleton, ACE

Carol Littleton's body of work as an editor spans several decades and genres, from the 1970s to the present. She's perhaps best known for her collaborations with Steven Spielberg and Lawrence Kasdan, on films including E.T., The Big Chill, and The Manchurian Candidate, and was nominated for an Academy Award for her work on E.T.  MEWShop's Director of Education Janet Dalton, talked to her about her early career and how studying literature made her a stronger editor.