#ITCR

Here's What It's Like to Be in the Cutting Room with Alexander Payne

Editor Kevin Tent discussed his career and long-collaboration with Alexander Payne during an event at this year's Sight, Sound & Story.

Sight Sound & Story 2017: TV editing and Dylan Tichenor, ACE

This year, I was asked to live tweet from Sight Sound & Story on behalf of Blue Collar Post Collective. As part of their mission to make post events as accessible to members of our industry as possible, they often attend events like this one and provide live blogging, tweeting and recaps of the events for their members via their Facebook group. What follows are the recaps that I posted to that group after the event and massaged a bit for the sake of postPerspective.

5 Groundbreaking Editing Rules from Oscar-Winning Editor of 'Lawrence of Arabia' and 'The Elephant Man'

Legendary editor Anne V. Coates has won two and been nominated for five Oscars (including a Lifetime Achievement Award in 2007). The nonagenarian editor refuses to use Avid; instead, Coates said she "has her own system" which was custom-made to her preferences—much like the one made for Thelma Schoonmaker—though she refuses to elaborate on the details.

Post Script: 'Moonrise Kingdom,' 'Black Swan' editor Andrew Weisblum

Manhattan Edit Workshop launched its “Inside the Cutting Room” series last month with a sit down with editor Andrew Weisblum, ACE.  Hosted by author/film historian Bobbie O’Steen, the two-hour event looked at Weisblum’s career as a film editor and his relationships with two very different directors: Wes Anderson (The Darjeeling Limited, Fantastic Mr. Fox, Moonrise Kingdom) and Darren Aronofsky (The Wrestler, Black Swan). 

Inside The Cutting Room with Bobbie O'Steen at NYU Cantor Film Center on November 8th

Please join renowned author Bobbie O'Steen ("Cut to the Chase," "The Invisible Cut") for an in-depth discussion with master film editor Tim Squyres, ACE, who will screen footage and talk about his work on such films as "Crouching Tiger, Hidden Dragon," “Syriana,” "Rachel Getting Married,” and “Life of Pi".   

The Innovative Interpretations of Jay Rabinowitz - Editor's Guild Magazine

Whenever editors begin a film, they enter into completely new territory and must adjust to and understand the director's way of working and thinking.  Editor Jay Rabinowitz, ACE, has traveled among a particularly diverse group of directors and has been able to immerse himself in their worlds - while showing the courage and ingenuity to surprise them,, which is what really sets and editor apart.  All of this was in evidence when we discussed and screened some of Rabinowitz's work in December for my "Inside the Cutting Room" series, produced by ProductionCONN and Manhattan Edit Workshop. 

 

Inside the World of the Pixar Editor: Ken Schretzmann of Toy Story 3 Discusses the Craft - Moviemaker Magazine

The accomplishments of an editor can be both mysterious and underappreciated, and nowhere is this more evident than among the editors at Pixar Studios. I discovered their special role in the animation process when I visited Ken Schretzmann at Pixar shortly after he won an Eddie for Best Edited Feature Film in Animation for Toy Story 3. He then became the focus of my panel at EditFest NY; and after all our discussions I now realize how fully Pixar uses the editor’s talents, one of many brilliant strategies that has led to the studio’s extraordinary success.