This year, I was asked to live tweet from Sight Sound & Story on behalf of Blue Collar Post Collective. As part of their mission to make post events as accessible to members of our industry as possible, they often attend events like this one and provide live blogging, tweeting and recaps of the events for their members via their Facebook group. What follows are the recaps that I posted to that group after the event and massaged a bit for the sake of postPerspective.
Is TV an "editor's medium"? The industry's top cutters think so.
Between the three of them, Kelley Dixon, Kate Sanford, and Leo Trombetta have cut thousands of hours of television and movies. Dixon has worked on Breaking Bad and Better Call Saul, Trombetta on Wayward Pines, and Kate Sanford on The Wire and, most recently, Vinyl. At the recent Sight, Sound & Story panel, 'TV Is the New Black: Television's Cinematic Revolution', each discussed their careers and recent work, and gave tips for those looking to get into the industry. Here are the three top takeaways we learned from them.
Leo Trombetta, ACE has professional credits dating back into the mid 1980s and has been in the editor’s chair since the early 1990s. He has edited more than a dozen feature films, like “Twin Falls Idaho” and a range of TV shows like WB’s “Roswell,” Michael Mann’s “Luck” for HBO, AMC’s “Mad Men,” FOX’s “Wayward Pines,” and Netflix’s “Narcos.” He has also worked as a sound editor on such films as “Bonfire of the Vanities” and David Mamet’s “Homicide.”
Trombetta won an Emmy and an ACE Eddie for editing “Temple Grandin” for HBO Films as well as additional Eddies in 2011 and 2012. He will appear at the Manhattan Editor’s Workshop’s “Sight, Sound and Story” event in NYC, June 11th.
Editor Kate Sanford, ACE, has been working as a professional in post since 1987 and has been in the editor’s chair since 1994. Her credits include “Sex and the City,” “Brooklyn Rules,” “The Wire,” “Boardwalk Empire,” “Show me A Hero” and – most recently – HBO’s “Vinyl.” Her next project is David Simon’s “The Deuce” starring James Franco. She’ll be a panelist at the Manhattan Editor’s Workshop “Sight Sound and Story” event, June 11.