#insidethecuttingroom

Sight, Sound & Story: Live Presents Inside the Cutting Room of “Succession” on March 24th

Go inside the cutting room of peak tv’s most captivating and compelling drama series.

Post Script: 'Moonrise Kingdom,' 'Black Swan' editor Andrew Weisblum

Manhattan Edit Workshop launched its “Inside the Cutting Room” series last month with a sit down with editor Andrew Weisblum, ACE.  Hosted by author/film historian Bobbie O’Steen, the two-hour event looked at Weisblum’s career as a film editor and his relationships with two very different directors: Wes Anderson (The Darjeeling Limited, Fantastic Mr. Fox, Moonrise Kingdom) and Darren Aronofsky (The Wrestler, Black Swan). 

Inside The Cutting Room with Bobbie O'Steen at NYU Cantor Film Center on November 8th

Please join renowned author Bobbie O'Steen ("Cut to the Chase," "The Invisible Cut") for an in-depth discussion with master film editor Tim Squyres, ACE, who will screen footage and talk about his work on such films as "Crouching Tiger, Hidden Dragon," “Syriana,” "Rachel Getting Married,” and “Life of Pi".   

MEWShop Presents: Inside The Cutting Room With Bobbie O'Steen Featuring Jay Rabinowitz, ACE

Please join renowned author Bobbie O’Steen (“Cut to the Chase”, “The Invisible Cut”) for an in-depth discussion with master film editor Jay Rabinowitz, ACE who will screen footage and talk about his work on Night on Earth, Affliction, Requiem for a Dream and I’m Not There. This event is presented by Manhattan Edit Workshop and will take place at NYU’s Cantor Film Center on April 26th from 7 to 9 pm.

The Innovative Interpretations of Jay Rabinowitz - Editor's Guild Magazine

Whenever editors begin a film, they enter into completely new territory and must adjust to and understand the director's way of working and thinking.  Editor Jay Rabinowitz, ACE, has traveled among a particularly diverse group of directors and has been able to immerse himself in their worlds - while showing the courage and ingenuity to surprise them,, which is what really sets and editor apart.  All of this was in evidence when we discussed and screened some of Rabinowitz's work in December for my "Inside the Cutting Room" series, produced by ProductionCONN and Manhattan Edit Workshop.