Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewivesand Sex and the City. His work also includes editing both Sex and the City movies, and other TV series including The Wire, Nurse Jackie, The Americans and Marco Polo. Art of the Cut interviewed Berenbaum before he spoke at the Manhattan Edit Workshop’s Sight, Sound and Story post-production event.
Maya Mumma has worked on numerous documentary projects including as an associate editor on Restrepo, and as an editor on Which Way Is the Front Line from Here?, The Life and Time of Tim Hetherington, Moms Mabley: I Got Somethin’ to Tell You, Mr. Dynamite: The Rise of James Brown, A Journey of a Thousand Miles: Peacekeepers, and ESPN Film’s Oscar-winning: O.J.: Made in America. Mumma will be speaking at Manhattan Edit Workshop’s Sight, Sound and Story event June 10th at the NYIT Auditorium.
Leo Trombetta, ACE has professional credits dating back into the mid 1980s and has been in the editor’s chair since the early 1990s. He has edited more than a dozen feature films, like “Twin Falls Idaho” and a range of TV shows like WB’s “Roswell,” Michael Mann’s “Luck” for HBO, AMC’s “Mad Men,” FOX’s “Wayward Pines,” and Netflix’s “Narcos.” He has also worked as a sound editor on such films as “Bonfire of the Vanities” and David Mamet’s “Homicide.”
Trombetta won an Emmy and an ACE Eddie for editing “Temple Grandin” for HBO Films as well as additional Eddies in 2011 and 2012. He will appear at the Manhattan Editor’s Workshop’s “Sight, Sound and Story” event in NYC, June 11th.
Editor Kate Sanford, ACE, has been working as a professional in post since 1987 and has been in the editor’s chair since 1994. Her credits include “Sex and the City,” “Brooklyn Rules,” “The Wire,” “Boardwalk Empire,” “Show me A Hero” and – most recently – HBO’s “Vinyl.” Her next project is David Simon’s “The Deuce” starring James Franco. She’ll be a panelist at the Manhattan Editor’s Workshop “Sight Sound and Story” event, June 11.