In Equity, the new woman-centric Wall Street potboiler from director Meera Menon and production company Broad Street, shot after shot and cut after cut line up to reinforce a feeling of suffocating isolation. This is by design, according to editor Andrew Hafitz.
In Captain Fantastic, Viggo Mortensen plays a survivalist father raising a brood of six kids off the grid in the forests of the Pacific Northwest, whose life is thrown into disarray after his wife commits suicide. The film, written and directed by veteran character actor Matt Ross (Silicon Valley, Big Love) earned major praise at Sundance and Cannes, and for good reason: it's by turns intense, funny, and genuinely moving. I recently caught up with editor Joseph Krings to talk about his career and the process of cutting the film.
Manhattan Edit Workshop congratulates Eileen Meyer, winner of the 2016 Karen Schmeer Fellowship! Eileen completed the MEWShop Six-Week Workshop in the fall of 2011. We caught up with her to chat about her achievements since, including a Cinema Eye Honors "Outstanding Achievement in Editing" nomination for her latest film, Best of Enemies, a 2015 Sundance Film Festival Grand Jury Prize nominee.
George Abbott Clark knows that Final Cut Pro X has a cloudy reputation in the editing business. “When it first came out, it was a nightmare,” he says on a phone call from Los Angeles. “But the new updates are remarkable. It’s like power steering - you would never go back to making it more complicated and cumbersome.”
In this edition of “Spotlight on an Editor,” we had the opportunity to sit with legendary editor of “Silence of the Lambs,” Craig McKay, ACE. For our April 2015 workshop, Mr. McKay visited and spoke with our Six Week Intensive students through our Artist in Residence program.
Sometimes Manhattan Edit Workshop will ask Artist in Residences to return again and again, because of their unique interaction with our students and their amazing ability to critique and mentor aspiring editors. In this edition of “Spotlight on an Editor,” one such Artist in Residence, Peter Frank, ACE, who has returned several times to work with our Six Week Intensive students to share his experiences.
Over the years, MEWShop has had several Artists in Residence who have become a staple to the program and a great friend of the school. In this edition of “Spotlight on an Editor,” we will be focusing on one of those great editors in former Six Week Intensive Artist in Residence Jeffrey Wolf, ACE.
MEWShop recently sat down with our September 2014 Six Week Intensive Artist in Residence Sabine Hoffman, ACE.
Sabine has edited independent feature films for over 12 years, including Rebecca Miller’s films Personal Velocity (Sundance Grand Jury Award and Best Cinematography winner and also the winner of the John Cassavettes Award) , and The Ballad of Jack and Rose (starring Daniel Day Lewis). She edited Morgan J. Freeman's Desert Blue and Hurricane Streets (which won the Audience, Best Director and Best Cinematography awards at the Sundance Film Festival), Alex Sichel's All Over Me (a Teddy Award winner at the Berlin Film Festival), The Day the Ponies Come Back, directed by Jerry Schatzberg (also director of Panic in Needle Park) and Harlem Aria (winner of three Audience Awards: Urban World Film Festival in NYC, the Chicago International Film Festival, as well as the Los Angeles Pan African Film Festival), directed by William Jennings, starring Damon Wayans and Gabriel Casseus.
Bobbie O'Steen Discusses Edits that made American Cinema Classics.
Red Rob Feld's article on Manhattan Edit Workshop and Bobbie O'Steen's "Inside the Cutting Room" event featuring editor Stephen Rotter.
Manhattan Edit Workshop (MEWShop), the cutting-edge authorized digital training destination, is pleased to announce a training partnership with industry leading film and digital media equipment supplier AbelCine. Their first collaboration, "Hands On: From the Camera to the Cutting Room," is a two-day intensive workshop in the art of shooting and editing narrative and documentary film.