michael berenbaum

An editor recaps Sight, Sound & Story 2018

As a working editor always looking to learn, I attend numerous industry events throughout the year, but this one has become one of the “can’t miss” items on my list. They bring in top-notch panelists sharing their work and their insights. This year’s post event was once again a chance to hear from professionals at the top of their craft across documentary, scripted television and feature film.

Get Schooled on Cutting for the Golden Age of TV by Editors of 'Breaking Bad' and 'The Wire'

Is TV an "editor's medium"? The industry's top cutters think so.

Between the three of them, Kelley Dixon, Kate Sanford, and Leo Trombetta have cut thousands of hours of television and movies. Dixon has worked on Breaking Bad and Better Call Saul, Trombetta on Wayward Pines, and Kate Sanford on The Wire and, most recently, Vinyl. At the recent Sight, Sound & Story panel, 'TV Is the New Black: Television's Cinematic Revolution', each discussed their careers and recent work, and gave tips for those looking to get into the industry. Here are the three top takeaways we learned from them.

The Post Production Event of the Year, “Sight, Sound & Story” Returns to New York City on June 11th

New York, New York – May 19, 2016 - Manhattan Edit Workshop (MEWShop), the cutting-edge authorized digital training destination for post-production and content creators, today announced their all-star list of guest speakers and panelists for its annual one-day event, Sight, Sound & Story, held this year on June 11, 2016 at the NYIT Auditorium on Broadway at Columbus Circle. “Sight, Sound & Story is one of the few events that brings together the community to celebrate the art of visual storytelling. This year’s panels include a look at visual effects artists, television's golden age, and groundbreaking documentaries.  The event culminates with legendary editor Anne V. Coates, ACE’s acclaimed career including The Elephant Man, Out of Sight, Unfaithful, Becket, In the Line of Fire, and the Oscar winning Lawrence of Arabia,” says Josh Apter, owner of Manhattan Edit Workshop.  "Our mission each year is to entertain, educate and provide our audience with unprecedented access and insight from some of today’s greatest story tellers."

Filmmaking And Creative Superstars Share Stories From The Cutting Room Floor at EditFest NY 2012

Go behind the scenes with the editors from The Avengers, Moneyball, All That Jazz, Treme and many more as they discuss techniques behind cutting critically acclaimed projects and industry blockbusters

He'll Take Manhattan - Editor Michael Berenbaum, ACE

As the editor of Focus Features' fall release Hollywoodland, Michael Berenbaum can empathize with the plight of the film's real-life character, George Reeves and perils of being typecast.   Television's first Superman, Reeves (played by Ben Affleck) slowly deteriorates throughout the film's flashbacks as his dreams of becoming a serious actor are crushed by the very public weight of his red cape. 

He'll Take Manhattan - Our Fall 2006 Artist in Residence

This past fall, Michael Berenbaum served as Manhattan Edit Workshop Artist-in-Residence for the Six Week Art-of-Editing course. Berenbaum mentored a class of students and worked with them on a unique project.