MEWShop is constantly looking for new ways to connect students and employers. To this end, we‘re launching a new program. We call it Manhattan Edit Workforce.
Post Production's Art School
In 2002, Josh Apter was a freelance Avid editor who also had a few private training clients on the side, a couple of whom were keen on learning Final Cut Pro. "There was always this notion in my head that knowing both programs was going to be an important thing for an editor," he recalls. Apter guessed correctly, for today, Manhattan Edit Workshop (MEW) is thriving as both an Apple authorized training center and an Avid authorized education center, and has just built out its new 2,600-square-foot headquarters at 80 Fifth Avenue in Manhattan.
Manhattan Edit Workshop's Certified Training Goes Retail With B&H Photo and Video
Manhattan Edit Workshop and HD Expo: Pushing The Boundaries
The Secret Passion of Curtiss Clayton
Masterclass Series Debuts at MEWShop
MEWShop’s Got the Right Stuff
Editor Curtiss Clayton Comes To MEW
MEWShop is Jazzed about Editor Alan Heim
Remembering Editor Jim Lyons
Picture, Meet Perfect.
Carol Littleton: MEWShop’s First Artist in Residence for 2007
Whether you know Carol Littleton’s work from films like Steven Spielberg’s E.T., Lawrence Kasdan’s The Big Chill, or Jonathan Demme’s The Manchurian Candidate, chances are you know her work. Manhattan Edit Workshop’s Six Week Intensive Art of Editing Course is honored to have her as the first Artist in residence of 2007.
He'll Take Manhattan - Editor Michael Berenbaum, ACE
As the editor of Focus Features' fall release Hollywoodland, Michael Berenbaum can empathize with the plight of the film's real-life character, George Reeves and perils of being typecast. Television's first Superman, Reeves (played by Ben Affleck) slowly deteriorates throughout the film's flashbacks as his dreams of becoming a serious actor are crushed by the very public weight of his red cape.
He'll Take Manhattan - Our Fall 2006 Artist in Residence
Art in Motion in New York City
Editor in Residence
Every moviemaker knows that a film never truly takes shape until it makes way to the editing room. A great editor is a much a necessity for a successful film as as a talented writer or director. If it seems like well-known directors work with same editors over the course of their movies career that's because, well, they do!