Dylan Tichenor

Sight Sound & Story 2017: TV editing and Dylan Tichenor, ACE

This year, I was asked to live tweet from Sight Sound & Story on behalf of Blue Collar Post Collective. As part of their mission to make post events as accessible to members of our industry as possible, they often attend events like this one and provide live blogging, tweeting and recaps of the events for their members via their Facebook group. What follows are the recaps that I posted to that group after the event and massaged a bit for the sake of postPerspective.

Wes Anderson and Paul Thomas Anderson's Editor Reveals Secrets from the Cutting Room

Dylan Tichenor, Oscar-nominated editor of 'There Will Be Blood,' 'Magnolia,' 'Brokeback Mountain,' and more, breaks down clips from his movies.

During a wide-ranging discussion at Saturday's Sight, Sound & Story panel in New York, Academy Award-nominated editor Dylan Tichenor, ACE revealed to moderator Bobbie O'Steen that he first began to comprehend film editing while watching classic films like Nosferatu with his father. It was during these formative viewing experiences—including holding a piece of film from Orson Welles' The Magnificent Ambersons up to the light—that Tichenor realized movies were composed of different shots.